受到梅洛龐蒂"corps propre"觀念的啟發，從觀察身體感的產生出發，發展與情境、回憶、情感的連接。
    作品主題圍繞身體的生存處境展開，除了關注自身，還延展到與他人身體的關係，曾經受過身體創傷、有身體缺陷或對自己身體缺乏認同感的人。
    同時運用身體和影像這兩種媒介，以劇場和影片形式進行創作。劇場作品強調現場性，而影像作品則附有紀錄性，她在兩種極端的媒介中不斷實踐身體如何表現。特別是使用醫學影像，不僅重新塑造了新的認知，還擴展了表達方式。
    曾旅法十年，與Ballet Preljocaj、Needcompany、Lucinda child、Cie Kafig、Yilab一當代..等工作，參與表演的風格迥異。
 

    Inspired by Merleau-Ponty's concept of "corps propre", HSU Hai-Wen incorporates observations of bodily sensations to develop connections with contexts, memories, and emotions in her works.
     Her artistic themes revolve around the existential circumstances of the body, extending not only to self-awareness but also to the relationships with others who have experienced bodily trauma, have physical disabilities, or lack a sense of identity with their bodies.

    Uses both the body and imagery as mediums, creating works in the forms of theater and film. The theater productions emphasize the immediacy of live performance, imagery carry a documentary quality,  she constantly exploring how the body can be expressed through these two contrasting mediums. In particular, her use of medical imaging not only reshapes the perception but also expands her means of expression, creating new ways of understanding and communicating.

    Having spent a decade in France, working with various companies such as Ballet Preljocaj, Needcompany, Lucinda Childs, Cie Kafig, and Yilab,  has participated in performances of diverse styles.

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